“Black Swan” opens today. Get David Denby’s take:
“‘Black Swan’ turns Freud’s uncanny into shtick; the sinister elements are overloaded and overdetermined. After a while, you realize that the film is a case of ersatz formalism disguising chaos. For instance, the ‘All About Eve’ business with dancers preying on one another was retained from a discarded screenplay by Andrés Heinz, who worked on the final version of ‘Black Swan’ with Mark Heyman and John J. McLaughlin. As a device, it’s clunky and redundant.”
i CANNOT wait to see this. it looks amazing.
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newyorker I need to see this.
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i CANNOT wait to see this. it looks amazing.
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formyevann reblogged this from newyorker and added:
I still want to watch this despite ‘bad reviews’
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seedasea reblogged this from newyorker and added:
Excited to see this. I wonder if it’ll live up to
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premiere reblogged this from newyorker and added:
Yes, but we hear Mila...Natalie make out. That’s
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crimble-crumble reblogged this from newyorker and added:
GAVE. ME. CHILLS. It will fuck with my mind, there’s no doubt about that; but, I still desire to see this film....
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shellypolitik reblogged this from newyorker and added:
I want to see this.
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